"My mother
told me I was dancing before I was born. She could feel my toes tapping wildly inside her for months."
"When two
people love each other, they don't look at each other, they look in the same direction."
'They're
not going to get my money to see the junk that's made today' (1983)
"The only
way to enjoy anything in this life is to earn it first"
"I don't
know which I like best. I love the applause on the stage. But pictures are so fascinating - you reach many millions through
them. And you make more money too." - in early 30s.
"When you're
happy, you don't count the years."
"Hollywood
is like an empty wastebasket."
[on her
partnrship with Astaire] "After all, it's not as if we were Abbott and Costello. We did have careers apart from each other."
"The most
important thing in anyone's life is to be giving something. The quality I can give is fun, joy and happiness. This is my gift."
[On working with
Katharine Hepburn] "She is snippy you know, which is a shame. She was never on my side".
"It'd be
fun to have a chum around, but it's very hard to have a chum unless you're married to him. And I don't believe in today's
concept for living with someone unmarried." - 1987
"Even when
one is of a certain age to make one's own decisions there are many times when it is great to be able to go back and talk it
over with the people one loves - one's family."
[Her explanation
for bringing excess luggage to London in 1969 for her year
long stint on stage as 'Mame'] "I believe in dressing for the occasion. There's a time for sweater, sneakers and Levis and a time for the full-dress jazz. As for the little touches,
well, a year is quite a long time and they make one feel at home."
[On her screen
partnership with Fred Astaire] "We had fun and it shows. True, we were never bosom buddies off the screen; we
were different people with different interests. We were only a couple on film".
"I'm most
grateful to have had that joyous time in motion pictures. It really was a Golden Age of Hollywood. Pictures were talking,
they were singing, they were coloring. It was beginning to blossom out: bud and blossom were both present."
"In everything
that I do I learn and try to put it to use. I have learned to go through life not into it. It's like a boat. You mustn't let
the water in or you're sunk. Of course, I've made mistakes and I have had failures, but I do not dwell on them because people
don't care about garbage. When I make a mistake it's like a bad leaf on a lettuce - I throw it out into the waste basket."
"I don't
care what the critics say. My fabulous mom will give me a good review if nobody else does."
"You bring
out a lot of your own thoughts and attitudes when acting. I think a great deal of it has to do with the inner you. You know,
there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do
not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a
strong woman who is seen."
"It was
tough being a woman in the theatrical business in those days."
[speaking in
1975] "The 30s were such a pretty time. I know it was a bad time for an awful lot of people, but not for me. I remember the
whole atmosphere, the ambiance of the 30s with a glow because success was knocking at my door. I got to California in '32, just in time to go Gold Diggers of
1933 (1933), where I sang 'Were In the Money'. It was a whole new life for me. I was
excited about it. It was happy and beautiful and gay and interesting. I was surrounded by marvelous people, all the top people
of our industry."
"I think
the motion pictures talked themselves out of business when they sold their backlogs [to TV networks]. They sold what they
thought were old clothes. It turns out some of them had better material in them than their new ones."
[on being
asked in 1943 what a girl needs to be a movie star] "Intelligence , adaptability and talent. And by talent I mean the capacity
for hard work. Lots of girls come here with little but good looks. Beauty is a valuable asset, but it is not the whole cheese."
"Rhythym
is born in all of us. To be a desirable dancing partner you don't have to do all the intricate fancy steps that happen to
be in vogue. All you have to do is be a good average dancer and anybody who spends the time and effort can accomplish this."
"I believe
in living each day as it comes, to the best of my ability. When it's done, I put it away, remembering that there will be a
tomorrow to take it's place. If I have any philosophy, that's it. To me it's not a fatalistic attitude.
[on Fred Astaire, 1976] "I adore the man. I always have adored him. It was the most fortunate thing
that ever happened to me, being teamed with Fred: he was everything a little starry-eyed girl from a small town ever dreamed
of."
{on Howard Hughes] "Howard was one of the best dancers I ever knew, and fascinating to be with. Terribly
bright and intelligent. But he was immersed in his work."